Cate Blanchett is not an actor who skims a screenplay when she’s considering it. “I read scripts very, very slowly,” she says, “but this one I read incredibly quickly. I knew from the get-go that it was about really big things — metaphysical, existential things that I was interested in — so I read it very quickly and said yes immediately.” She turns to Todd Field, the writer-director of the film in question, “Tár,” and says, “And you crashed your car.”

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