I first respond to the many eager commenters on my video "How and why classical musicians feel rhythm differently," then launch into the regular Q+A.

This was a long one, so thanks so much to Dan Munckton, Your Home Recording Studio, MrYourfavoritezombie, Billy TheKidd, joeoj12321, TheGerogero, LoftOfTheUniverse, Fotenks, Will Castillo, Wetrock Music, Jeffrey Preston, FluffyWagglekins, Pate Huhtala, Mi Pe, Nathaniel Haiden, Mark The Mimic, shvona, Aidan Rabinowitz, Aaron Orel, Timothy Brown, Ari Wells, Jack, thegreatgambeeno, Frank Michaux, Sam Lockhart and empressmothra for their comments!

Regular Q+A starts at 4:30.
4:36 Playing outside in Jazz
5:19 Eliminating string noise on bass
5:56 Horn-ness
6:04 On one finger per fret for bass
6:45 Bass Scale length
7:21 My education
7:46 Why I didn't use Swannee river in the polytonal Linkin park
8:19 Music similar to the grooves I used in How to Speak in odd Meters
8:34 Bass playing in "radio rock" (lol)
9:21 Is the content in "Why is major Happy" content that you study in college?
9:52 College level papers as videos
10:28 Why play at pianos upstairs?
10:58 Brides as control freaks
12:09 Why I don't take taxis everywhere
12:45 LACM and models for higher education learning
13:25 The important of playing live shows
13:28 What "skronk" means
14:58 What constitutes a good drummer
16:02 The importance of the ride/hi hat in swing jazz
16:40 Why would you even want to "sound like a bassist?"
17:47 Low action or high action?
18:40 On burning out
19:39 Possible advantages of men and women to music making
20:43 Getting a louder bass mix
21:49 Comparing vaporwave to the Romans' and Renassaince artists' penchant for nostalgia
22:48 The relationship of vaporwave to chopped and screwed

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BACKGROUND MUSIC/MUSIC FROM THE BEGINNING
http://sungazermusic.bandcamp.com
http://insideoutsidemusic.bandcamp.com

Peace,
Adam