➡️➡️Learn more about T.Rex and their hit song here: https://producelikeapro.com/blog/t-rex-get-it-on/
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➡️➡️Watch Warren's cover of Get It One here: https://www.youtube.com/watch?v=c8JXTTSYzlg&t=176s
Marc Bolan’s T. Rex initially formed as Tyrannosaurus Rex in 1967. Rapidly establishing themselves as darlings of the underground scene, thanks to an exhilarating blend of pixie whimsy and idiosyncratic song structures, that hippy duo – Bolan and drummer pal Steve Peregrin Took – metamorphosed into T. Rex in 1970 and became the pioneering spirit of the emergent glam rock movement, which Bolan jumped on to just before his friend David Bowie.

While retaining some of the mystic impetus of their first forays the new look T. Rex were increasingly electric and made themselves well-loved fixtures in concert halls and on Top of the Pops. Marc was killed in a car crash in 1977 but he’s left us with a legacy of superbly quirky music whose style and class continue to captivate listeners and influence the present-day bands.

They broke the mould when Marc Bolan burst onto the unsuspecting ears of Londoners at the Electric Garden in 1967 but the little chap from Stoke Newington rarely stuck in any one place long enough for the pieces to be put back together again.

Electric Warrior (1971) could be cited as Britain’s first total glam rock epic. It was such a gas that the band filled the old Empire Pool in Wembley for two heady shows in March 1972 with Beatle Ringo Starr filming the phenomenon for posterity as part of the Born To Boogie movie. In fact, even the usually hard to impress John Lennon had name-checked Bolan favourably – but it was Marc’s ongoing rivalry with Bowie that became the Beatles vs. Stones battle of the bands back then.

“Get It On” was the second chart-topper for T. Rex on the UK Singles Chart. In the United States, it was retitled “Bang a Gong (Get It On)” to avoid confusion with a song of the same name by the group Chase.

The track was recorded at Trident Studios, London, and the piano on the record was performed by either Rick Wakeman or Blue Weaver. Mark Paytress notes that both pianists may have played separate parts on the song, with Wakeman contributing only the piano glissandos that feature several times throughout the song. Wakeman, who was desperate for work at the time to pay his rent, had bumped into Bolan in Oxford Street, who offered him the session.

Six months after his final album release in 1977, Bolan died in that fateful crash, taken far too young at just 29. His legacy is significant. At one time in 1973 T. Rex records were shifting a reported 100, 000 copies a day! He played twin necked guitar alongside his mate Jeff Lynne on the Electric Light Orchestra’s Ma-Ma-Ma-Belle, dashed off sessions with Ike and Tina Turner and even buried the hatchet with David Bowie when the two titans of teen appeared together on the TV show Marc in 1977.

Bolan’s influence would have amused him since the punk kids aside he has inspired everyone from Morrissey and Johnny Marr of The Smiths, Siouxsie and the Banshees, Bauhaus, Guns ‘n’ Roses, The Replacements, Power Station, San Francisco great Ty Segall and Oasis.


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