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Original Credits & Link :

https://www.youtube.com/watch?v=S5FyS7tQuUw

Song Narrative: Adnan Dhool & Xulfi
Composed by Xulfi
Written by Adnan Dhool, Talha Anjum, Talha Yunus, Additional Lyrics by Xulfi
Music Arranged & Produced by Xulfi & Abdullah Siddiqui
Mixed by Xulfi


ARTIST

Faisal Kapadia - Vocals
Talha Anjum - Vocals
Talha Yunus - Vocals
Melvin Arthur – Synth Bass
Asad Ali - Piano
Payam Mashrequi – Synths
Haroon Daniel – Octapad
Saad-ul-Hassan – Synth
Yusuf Ramay - Drums

Orchestra
(Lahore Jazz Ensemble)

First Chair
Nijat Ali
Muhammad Ilyas
Akbar Abbas
Amjad Ali
Nadeem Abbas (chand)
Sakhawat Ali
Kaleem Sahab

Second Chair
Nadeem Ahmad
Fazal Hussain
Aqeel Anwar
Iftikhar Hussain
Mubarak Ali
Babar Ali

Third chair
Shobaz Ali
Sakhawat Ali Raja
Ghulam Hussain
Kashan haider
Sheraz Riaz

Additional Orchestra Members

Javaid Iqbal - Violin (First chair)
David Joseph – 2nd Cello (Second chair)

Produced By GIRAFFE PAKISTAN

Executive Producer: Muhammad Ibrahim
Creative & Project Head: Wajeeha Badar
Creative Manager: Sherry Khattak
Creative Manager: Zahra Aamer
Operations Manager: Saad Mansoor
Creative Associate: Sarah Aminuddin
Creative Associate: Seemab Saqib
Sound Squad Coordinator: Shahrukh Khattak
On-Ground Coordinator: Abdullah Khan

SOUND SQUAD

Chief Sound Engineer: Ishaq Nazir
Audio Electrical Engineer: Muhammad Saifullah
Senior Audio Engineer: Sherry Khattak
Senior Recording Engineer: Turaab Khan
Audio Networking Engineer: Omair Farooq
Audio Engineer: Payam Mashrequi
Audio Engineer: Ziad Ahmed Tariq
Audio Engineer: Malik Arslan
Audio Engineer: Asad Khan (Psydfx)
Monitoring Assistant: Yashwa Ayub
Senior Monitoring Engineer: Haider Ali
Senior Monitoring Engineer: Roger John
Senior Monitoring Engineer: Saqlain Majeed
Audio Assistant: David Joseph

TALENT MANAGEMENT

Adil Naeem
Shahdad Karim
Ahsan Aziz
Jahanzeb Kalmati
Sheraz Farooqui
Faisal Rafiq

THINK TANK

Murtaza Niaz
Abdullah Siddiqui
Natasha Noorani
Adnan Dhool
Sherry Khattak

LINE PRODUCTION

Qamber Ali (Celcius)
Mir Mehmood Ahmed Halepota (Celcius)


VIDEO PRODUCTION

Director: Zeeshan Parwez
Producer: Shahrukh Kazim (Fepo)

Video Production House: FEPO Films
Project Manager: Zara Chohan

Cinematographer: Aamir Mughal

Production Designer: Tanya Mirza
Art Director: Khawar Sabir

Set Team: Aqeel ur Rahman (SetAct)

Wardrobe Stylist: Faraz Sheikh
Key Makeup & Hair Stylist: Shammal Qureshi
Hair & Make-up Team: Toni & Guy

1st Assistant Directors: Syeda Maryam & Saif Shams
2nd Assistant Director: Hadi Ahmad

Post VFX: Studio Rokhan
Lead Compositing Artist: Syed Shakir Ali
Rotoscope Artists: Hunaid Hussain, Junaid Baig.
Additional tracking: Kamran Lodhi
Post Supervisor: Zeeshan Parwez
Colorist: Navin Shetty

Lights Gaffer: Asif Hassan
Focus Pullers: Waqas Younus
Steady- Cam Operator: Faraz Alam
Asst Steady-Cam: Dilawar Ali Shah
Digital imaging Technician: Sohail Khan
Digital imaging Technician Assistant: Mirza Safeer
Smart Video Assist: Sharp Image
Team SVA: Rizwan Saleem, Daniyal Khan & Danish Hashmi

Camera Company: Studio 146

Camera Team (A/C’s): Muhammad Waqas (A/C), Muhammad Irfan (A/C), Fahad Yaseen (A/C), Fahad Ullah Khan (A/C), Haji Fakhruddin (A/C), Muhammad Zubair (A/C), Muhammad Akber Qureshi, Bilal & Atif

Lights & Grips:

Lights Rental: Studio 146

Light Staff: Mohammad Shoaib, Mohammad Shafiq, Usama Abbasi, Mohammad Ahtisham, Mohammad Zakir, Mohammad Nazeer, Mohammad Faisal, Mohammad Faizan, Mohammad Waqas
Lighting Operations: Company: Shadab Lighting and Sound
Light Operations: Syed Umair Ahmed (Bobby), Syed Waqas Ahmed
Light Technicians: Dilshad, Nabeel, Asif, Salman, Owais, Waqar

2nd Lights Company Madrix: Syed Hashim Raza Zaidi, Syed Hussain Rizvi, Syed Faizan Iqbal, Naveed Rasheed, Syed Faizan Rizvi, Syed Ahsan Rizvi

Production Assistants: Ghaffar Dada, Awais Rasool
Floor Tech: Khayyam Baig

Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

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