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BHAIRAVA GEETHA MOVIE REVIEW AND RATING

Story: Tensions soar high in a Rayalaseema village as Bhairav, a modest henchman of a leader Subbareddy and the latter's city-bred daughter Geetha fall in love. Their love story sparks a revolution among the suppressed lot to fight for a dignified existence, where there's no prince or pauper and every human is treated on merit and not caste.

Review: Bhairava Geetha has just the premise you would expect out of an RGV-backed product — two warring communities, a love story crafted like soft erotica, a film with camera angles and close-up shots so amusing that they don't surprise you anymore and a village where a bloodbath on the streets is an everyday sight.
Director Siddhartha Shankar takes a leaf out of the auteur's trademark filmmaking tropes that have now approached their expiry date and comes up with a film bereft of any intensity or grit. But for its authentic Rayalaseema ambience, there's nothing going in favour of Bhairava Geetha. The universal conflict between the suppresor and the suppressed in the backdrop of a love story, had all the potential to be a fiery action drama; what we get is an overlong borefest with shoddy performances across most departments.
Bhairav (Dhananjay) and his ancestors have been loyal servants of the landlords across generations and yet, they don't have much in their life to boast of, an existence minus dignity, financial security and any assurance of survival. The director stages the demand of many such people for equality through a love story, that leads to a blood bath in the village, nevertheless sealing a foundation for a hopeful future.
Neither the inequality nor the love story is established well here. The supposedly passionate equation between Bhairav and Geetha (Irra Mor) appears to be driven by lust over love. Though based on real incidents, the film never rises above the obvious and is distracted by trivial subplots, imaginary duets while the core conflict of the film seems its last priority. The abysmal music score comprises influences from most of the popular releases this year.
The rusticity of the backdrop and the smart choice of locations that tap an unseen dimension of Rayalaseema more or less seem like wasted efforts. Kannada actor Dhananjay submits himself to the role well, but could've done better with his dialogue delivery. Irra Mor gets an underdeveloped role and her portrayal of it too is far from convincing. RGV's intermittent voice-overs through the narrative had more bite in them than the film on the whole.

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