Advanced Jazz Guitar: Triads and Spread Triads on Out Of Nowhere - Modern Jazz Guitar Licks |
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Triads and Spread Triads are invaluable as tools for making jazz lines, especially in the realm of more modern sounding melodies. The video is in three main parts: An analysis of the chord progression, Finding triads that can be used and discussing outside or exotic scale choices, and finally making lines with the material and talking about the colors of the superimposed jazz guitar triads. How to make guitar licks and what rules come into play when using triad pairs and spread triads in jazz guitar solos.
This video turned out to be a lot longer than I thought, but especially the ending I think is a good documentation of how I write lines and you see me experiment with the material I find through the analysis and the triad options. There's also a lot of good discussion on melodies and how you write strong melodies with material like this. Question: Do you use open voiced triads in your solos? 🔴 Subscribe for more free Jazz Guitar Lessons and Videos: https://bit.ly/JensLessons ☑️ Support me on Patreon: https://www.patreon.com/jenslarsen/ ✅DOWNLOAD A FREE E-BOOK with 15 II Valt I licks! Sign up for my newsletter: http://jenslarsen.nl/sign-up-for-my-newsletter/ 0:00 Intro Analysis: 1:01 Analysis of chords and form 1:28 Key and form 1:56 The Chords and their function 2:14 The mysterious Eb7 German Augmented Sixth Chord 2:43 The Double Diminished #IV explanation 3:45 Back to the Harmonic Analysis 4:49 How Out Of Nowhere is about Eb7 in G major 5:46 Analysis of The 2nd half of the song 7:02 A modal aspect of Out Of Nowhere 7:46 Why Triads and Diatonic triads are so great for solos Finding Options Triads for the chords 8:44 Selecting Triads 9:16 Triad options for Gmaj7 10:17 adding the Lydian Options to Gmaj7 11:56 Harmonizing the melody with a lydian sound 12:51 Lydian Augmented triads on Gmaj7 13:48 Augmented Scale on Gmaj7 14:30 Bbm7 Eb7 16:45 C7(#11) 17:15 Bm7 17:32 E7 altered 18:53 Am 22:07 Am7 D7 22:54 D7 altered 23:26 D7 Diminished Making Lines: 24:48 Making lines with triads 26:31 Extensions in the melody of Out Of Nowhere 26:48 G major/ B minor triad over Gmaj7 29:21 Voice-leading B minor to Bb minor 31:11 Bbm Eb7 33:48 Connecting Gmaj7 C7 34:47 G major - Melodic Minor Hack 37:13 Bm7 E7alt - E7 triad pairs 38:48 Ab+ and Bb major 41:21 Am 42:18 The might Am triad 43:26 Making D7 altered lines 45:18 D7 Diminished Line Ideas 46:15 Exotic scales and Spread Triads 47:24 Spread Triads On Gmaj7 51:33 Bbm Eb7 ideas with Open Triads 52:41 Spread triad ideas for E7alt 53:40 Rules of melodic movement in a Jazz Lick 56:06 Mark Turner and Kurt Rosenwinkel 57:30 Emphasizing upper structures and extensions 58:51 Resolving into the Lydian Augmented sound Jonathan Kreisberg playing Out Of Nowhere: https://www.youtube.com/watch?v=bm4NUqAmnEA Triad Pairs: https://www.youtube.com/watch?v=RVjqS7R5HEQ&index=1&list=PLWYuNvZPqqcH_rPTBtxEJujxmDLZprihu Altered Scale: https://www.youtube.com/watch?v=51MCFyXYyas&index=1&list=PLWYuNvZPqqcFlPogA-mM9aS4NN4w_UGBl Facebook: https://www.facebook.com/jenslarsenYTlessons Twitter: https://twitter.com/JensLJazz Snapchat: jenslarsenjazz Instagram: https://instagram.com/jenslarsenjazz/ Google+: https://plus.google.com/u/0/+JensLarsen/posts/p/pub Tumblr: http://jenslarsenjazz.tumblr.com/ My Gear: Sono Core Vintage 13-53 Strings: http://www.sono-tone.com/products.html QSC K10 Powered Monitor: http://amzn.to/2iPKMza FocusRite Audio Interface: http://amzn.to/2iPKGrd Sennheiser HD215 Headphones: http://amzn.to/2iPKqbQ Lumix G6 Camera: http://amzn.to/2hXxBfJ GuitarPro 6: http://amzn.to/2iLCZQk Webhosting - Siteground: https://www.siteground.com/index.htm?afcode=77f5392e5577969ff5e82a3484f8aff8 John Daw Custom picks: http://dawmanpicks.com/ #jazzguitar #spreadtriad #opentriad |